<div dir="ltr"><div><div><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:17.12px">Call for Abstracts</span></p><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:16pt;line-height:22.8267px">Fourth International Conference on Beauty and Change</span></b></p><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:16pt;line-height:22.8267px">“Aesthetic Experience and The Drive for Knowledge”</span></b></p><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:17.12px">Turin, Italy, 16-18 October 2025</span></p><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:17.12px">Deadline for submissions:  1 June 2025</span></p><p class="MsoNormal" align="center" style="margin:0in 0in 8pt;text-align:center;line-height:15.6933px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:17.12px"> </span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">The BraIn Plasticity and Behavior Changes (BIP) research group at the Department of Psychology, University of Turin and the Giorgio Amendola Foundation are delighted to invite contributions for the Fourth International Conference on Beauty and Change, a three-day international and interdisciplinary conference that will be held in Turin, Italy on 16-18 October 2025.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Established in 2022, the International Conference on Beauty and Change is a highly successful interdisciplinary forum for discussing recent advancements in philosophical and empirical aesthetics. This year’s conference will be devoted to the theme “Aesthetic Experience and the Drive for Knowledge" and will gather leading scholars from the fields of philosophy, psychology, and neuroscience to reflect on how our engagement with the arts and our aesthetic experiences influence, interact with, or emerge from our drive to explore and understand the world.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Confirmed invited speakers:</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span lang="FR" style="font-size:12pt;line-height:18.4px">Jérôme Dokic (Institut Jean Nicod)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Jan R. Landwehr (Goethe University Frankfurt)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Winfried Menninghaus (Max Planck Institute for Empirical Aesthetics, Frankfurt am Main)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Diana Omigie (Goldsmiths, University of London)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Elisabeth Schellekens (Uppsala University)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Martin Skov (Copenhagen Business School; Copenhagen University Hospital, Hvidovre)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px"> </span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px"> </span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;line-height:18.4px">The Theme</span></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">The intrinsic human tendency to seek knowledge and explore new information has attracted growing interest across the sciences and humanities in recent years. A broadening range of philosophical, psychological, and neuroscientific theories are being developed to explain the origins of this “drive for knowledge” and capture its effects on crucial psychological phenomena such as learning, memory, attention, and motivation. At the same time, an expanding body of research is examining the “epistemic emotions” that accompany our behaviour as information-seekers (curiosity, interest, insight, wonder, surprise, confusion, boredom, etc.), shedding light on their phenomenology, their role in motivating behaviour, and their neural underpinnings. Together, these efforts are painting an increasingly rich picture of our lives as epistemic agents.</span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">In parallel, a growing body of scholarship in philosophy, psychology and neuroscience is pointing to the idea that there might be a fundamental connection between aesthetic experiences and the drive to explore the environment and seek new information. According to many recent theories, in fact, aesthetic experiences are pleasurable precisely because they tap into and satisfy our needs as creatures animated by a drive for knowledge, and the arts are particularly effective means to meet that need. This perspective is opening new avenues of inquiry across disciplines. Philosophers are re-examining historical and contemporary debates on the relationship between the aesthetic and the epistemic, and on what art contributes to knowledge and understanding. Psychologists are refining models of how art and aesthetic experiences interact with and mobilize epistemic emotions and information-seeking behaviour. Neuroscientists, in turn, are uncovering how information-seeking activates reward circuitry in the brain, raising new questions about the nature of aesthetic pleasure and its relationship to other kinds of pleasure. These research efforts hold rich potential for advancing our understanding of both aesthetic experiences and epistemic practices.</span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">The Fourth International Conference on Beauty and Change aims to explore these new lines of research systematically and in a thoroughly interdisciplinary way. It will gather philosophers, psychologists, neuroscientists, and artists interested in both theoretical and empirical research to get a clearer picture of the many connections between our aesthetic experiences and our behaviour as epistemic agents. We therefore welcome well-informed theoretical or empirical contributions that might be of interest to an interdisciplinary audience. Topics include (but are not limited to):</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">  </span></span><span style="font-size:12pt">Philosophical, psychological and neuroscientific perspectives on the relationships between aesthetic experiences and epistemic behaviour;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman""> </span></span><span style="font-size:12pt">Philosophical, psychological, and neuroscientific debates about the epistemic benefits of engaging with the arts and how art may serve as a medium for knowledge or understanding;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman""> </span></span><span style="font-size:12pt">Insights into how the study of epistemic emotions (such as curiosity, interest, insight, fluency, surprise, confusion, and boredom) can shed light on our aesthetic experiences and vice versa;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman""> </span></span><span style="font-size:12pt">Strengths and limitations of existing theories and models linking aesthetic pleasure and knowledge acquisition (e.g. appraisal theories, processing fluency theories, learning theories, predictive processing theories, etc.);</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman""> </span></span><span style="font-size:12pt">Theoretical and empirical contributions on the neural mechanisms connecting information-seeking with reward systems in the brain;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">  </span></span><span style="font-size:12pt">Philosophical, psychological and neuroscientific perspectives on the role of epistemic emotions and exploratory behaviour in creativity and artistic production;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">  </span></span><span style="font-size:12pt">Cross-cultural perspectives on the relationships between aesthetic or creative experiences and epistemic behaviour;</span></p><p style="text-align:justify;line-height:normal;margin:0in 0in 0in 0.5in;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">  </span></span><span style="font-size:12pt">The influence of aesthetic considerations in epistemic practices and vice versa;</span></p><p style="margin:0in 0in 0in 0.5in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:Symbol">·<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;font-size-adjust:none;font-kerning:auto;font-feature-settings:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">  </span></span><span style="font-size:12pt">Prospects and pitfalls of potential applications of the relationships between the aesthetic and the epistemic in education, communication, psychotherapy, and rehabilitation.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;line-height:18.4px">Submission Guidelines</span></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">We accept two types of submissions: talks (20 minutes + 10 minutes for discussion) and posters. For both types of submission, please send an abstract of no more than 300 words in WORD or PDF format to </span><a href="mailto:beautyandchange@fondazioneamendola.it" target="_blank" style="color:rgb(5,99,193)"><span style="font-size:12pt">beautyandchange@fondazioneamendola.it</span></a><span style="font-size:12pt"> by 1 June 2025.</span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Abstracts must be written in English and prepared for blind review. In the body of your email, please indicate the names and affiliations of all the authors (specifying the presenting author), and your preferred presentation type (talk or poster). Each author may submit only one abstract as a presenting author but can be a co-author in any number of submissions.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">We especially encourage submissions from women, early career researchers and members of underrepresented groups, and we will take diversity into account when making decisions for inclusion in the programme.</span></p><p class="MsoNormal" style="margin:0in;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;line-height:18.4px">Important Dates</span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Deadline for submissions: 1 June 2025</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Notification of acceptance: 15 June 2025</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Conference dates: 16-18 October 2025</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt">Conference Costs</span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Conference fee for students (BA and MA): free</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Conference fee for untenured researchers (PhD students and postdocs): €100</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Conference fee for tenured researchers: €200</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Conference dinner (optional): <a name="m_-667040227924469545_m_7679197380990873706__Hlk139277302">€4</a>5</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt">Student Prizes</span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Two small monetary prizes of €100 will be offered for the two best contributions by students (BA, MA, PhD). One of the two prizes will be awarded for a talk, the other for a poster. The prizes will be assigned by the conference scientific committee based on the quality and relevance of the submitted abstract. The two winners will be announced during the conference. If you would like to be considered for one of these prizes, please indicate so in the body of your submission email.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt"> </span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt"> </span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt">Satellite Workshop</span></b></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">This year, the conference will be preceded by a one-day satellite workshop on “The Repeated Experience of Beauty”. The workshop aims to explore the phenomenon of repeated aesthetic experiences, focusing on the paradoxical interplay between novelty and familiarity in aesthetic appreciation. It will feature talks by Jérôme Dokic, Jan R. Landwehr, and Winfried Menninghaus among others. The workshop will take place on 15 October 2025 and will be open to all registered conference participants at no additional cost.</span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;line-height:18.4px">Scientific Committee</span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Carola Barbero (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Alessandro Bertinetto (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Elvira Brattico (Aarhus University & University of Bari Aldo Moro)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Fabrizio Calzavarini (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Maura Crepaldi (University of Bergamo)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Alice Cancer (Catholic University of the Sacred Heart, Milan)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Jacopo Frascaroli (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Irene Ronga (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Maria Luisa Rusconi (University of Bergamo)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Pietro Sarasso (University of Turin)</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;line-height:18.4px">Sander Van de Cruys (University of Antwerp)</span></p><p class="MsoNormal" style="margin:0in;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt"> </span></p><p class="MsoNormal" style="margin:0in;line-height:16.8667px;font-size:11pt;font-family:Calibri,sans-serif"><b><span style="font-size:12pt;line-height:18.4px">Other Information</span></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">Information about venue, travel and accommodation is available on the </span><a href="https://fondazioneamendola.it/eventi/general-information/" target="_blank" style="color:rgb(5,99,193)"><span style="font-size:12pt">conference website</span></a><span style="font-size:12pt">.</span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">We aim to make the conference as accessible as possible. Please do not hesitate to contact the conference organisers to discuss accessibility requirements.</span></p><p class="MsoNormal" style="margin:0in 0in 8pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt">All questions and correspondence should be addressed to the Organising Committee at: </span><a href="mailto:beautyandchange@fondazioneamendola.it" target="_blank" style="color:rgb(5,99,193)"><span style="font-size:12pt">beautyandchange@fondazioneamendola.it</span></a></p></div><font color="#888888"><div><br></div></font></div><div><br></div><span class="gmail_signature_prefix">-- </span><br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div style="color:rgb(136,136,136)">Jacopo Frascaroli</div><div style="color:rgb(136,136,136)">Postdoctoral Fellow, Department of Psychology, University of Turin</div></div></div></div>